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That’s how the entertainment industry desires you to think hacking works. However, like most Hollywood fantasies, it couldn’t be farther from the truth. Ubisoft (the studio chargeable for Tom Clancy’s Splinter Cell and Prince of Persia: The Sands of Time) knows this and for its upcoming cross-platform launch, Watch Canine, the company went to nice lengths to ensure its game world didn’t fall into those same tropes. Watch Canine focuses on mega-hacker Aiden Pearce as he manipulates a Chicago run by the CenTral Working System (CTOS) using only the smartphone in his hand. This CTOS controls every thing from the simulated Windy City’s site visitors lights and ubiquitous surveillance cameras, to the drawbridges that cross the Chicago River. It’s a fictitious, near-future vision of related urban life, but nonetheless Ubisoft wanted it to hew as closely to hacking actuality as possible.
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Now That’s InterestingWhen Parks was preparing to make «Shaft,» soul musician Isaac Hayes agreed to compose the music for the movie, as long as he additionally could be allowed to check out for the lead role, as Hayes recounted in a 2000 NPR interview. He didn’t get the half, however kept his end of the bargain, and Parks — himself an experienced composer — helped information Hayes’s musical efforts. The film theme’s driving power got here partially from Parks’ instruction that it needed to depict the protagonist’s relentless nature, Hayes recalled.